Music Education: Part One
April 23rd, 2010
I’ve been thinking about this post for a long time. And realistically, I think it will turn into a series of posts, because one alone will not cover it. As most of you know, Brandon and I are very, how should I say, involved in music. We met in the Choir of the West while we were attending PLU. I teach middle school choir. I conduct a church choir, Brandon sings in it. My dad is a professional jazz drummer. My mom was a music education major in college. Both Brandon and I play a variety of instruments. Almost all of our friends are musical in one way or another. And generally, I give correct responses to all the music-related clues on Jeopardy.
So what will Soren’s relationship with music be like?
I hope that he loves it. I hope that he participates in it, in some capacity. I know that I cannot expect these things. All I can do is expose him to what I consider to be “good” music and hope that he finds as much enjoyment in it as Brandon and I do.
So what music will Soren be listening to? First of all, not the Wiggles. Or Raffi. However, I will subject him to the music that I find amazing and inspiring. At least until he’s old enough to tell me to turn it off.
This post will focus on jazz. Here is a list (in no particular order) of the top five most influential albums in my life:
John Coltrane and Jonny Hartman
This album changed me. I never knew that a vocalist and instrumentalist could perform in such a collaborative way. There are times when I’m listening that I forget to notice when the sax solo ends and the vocals begin.
Nancy Wilson and Cannonball Adderley
Again, a prime example of a perfect relationship between vocalist and instrumentalist. Wilson’s voice is smooth as silk and yet aggressive and totally in control. Adderley alto is like the icing on the cake.
Sinatra at the Sands
This album is the perfect introduction to the genius that is Frank. It just doesn’t get any cooler than this. I get such a kick out of all of his quippy dialogue in between songs and Basie’s orchestra is swingin’.
Both Sides Now – Joni Mitchell
Now some people might not consider this a “jazz” album, but I don’t care. First of all, it’s Joni Mitchell and I am in love with her. And you should be too. Secondly, a majority of the tracks on the CD are straight from the great American songbook. Third, Wayne Shorter. And his solo on “Both Sides Now.” Holy crap.
Kind of Blue – Miles Davis
So I kind of feel like a sell-out putting this one on the list, but I just can’t bring myself to leave it off. Is it my favorite CD to listen to? No. Do I think that it is essential in exposing Soren to some of the most important contributions to jazz? Absolutely.
So there you go. I have to say that honorable mentions go to the albums Getz/Gilberto – Stan Getz and Joao Gilberto and Bitches Brew – Miles Davis. I am anxious to hear your opinions. . .